Here you find my sources on Edouard Manet, art history and art theory, and other sources used in the posts.
Sources on Diagramming and my own approach to diagramming you find on my page On Diagrams .
On Edouard Manet:
Allan, S., Beeny, E.A., Groom, G. (eds.) (2019), Manet and Modern Beauty. The Artist’s Last Years, Los Amgeles: Paul Getty Museum
Bataille, G. (1955), Manet, New York: Skira
Brombert, B.A. (1996), Edouard Manet. Rebel in a Frock Coat, University of Chicago Press
Clark, T.J. (1999), The Painting of Modern Life. Paris in the Art of Manet and His Followers (revised edition), Princeton University Press
Collins, B.R. (ed.) (1996), 12 Views of Manet’s Bar, Princeton University Press
including:
Richard Shiff, Introduction: Ascribing to Manet, Declaring the Author
Carol Armstrong, Counter, Mirror, Maid: Some Infra-thin Notes on A Bar at the Folies-Bergère
Albert Boime, Manet’s A Bar at the Folies-Bergère as an Allegory of Nostalgia
David Carrier, Art History in the Mirror Stage: Interpreting A Bar at the Folies-Bergère
Kermit S. Champa, Le Chef d’Ourvre (bien connu)
Bradford R. Collins, The Dialectics of Desire, the Narcissism of Authorship: A Male Interpretation of the Psychological Origins of Manet’s Bar
Michael Paul Driskel, On Manet’s Binarism: Virgin and/or Whore at the Folies-Bergère
Jack Flam, Looking into the Abyss: The Poetics of Manet’s A Bar at the Folies-Bergère
Tag Gronberg, Dumshows: A Carefully Staged Indifference
James D. Herbert, Privilege and the Illusion of the Real
Jon House, In Front of Manet’s Bar: Subverting the “Natural”
Steven Z. Levine, Manet’s Man Meets the Gleam of Her Gaze: A Psychoanalytic Novel
Gisela Pollock, The “View from Elsewhere”: Extracts from a Semi-public Correspondence about the Visibility of Desire
Courthion, P. (2004), Edouard Manet, New York: Abrams
Dolan, T. (ed.)( 2016), Perspectives on Manet, London: Routledge
Dombrowski, (2016), Leben auf Manets Balkon, in: Gassner, H. & Hildebrand-Schat, V. (eds.), Manet – Sehen. Der Blick der Moderne, Hamburg: Michael Imhof Verlag
von Duve, T. (2000), Zum Aufbau von Manets Eine Bar in den Folies-Bergère, in: Belting,H. and Kamper, D. (eds.), Der Zweite Blick: Bildgeschichte and Bildreflexion, Muenchen: Wilhelm Fink Verlag
Fried, M. (1998), Manet’s Modernism or The Face of Painting in the 1860s, University of Chicago Press
Gassner, H. & Hildebrand-Schat, V. (eds.) (2016), Manet – Sehen. Der Blick der Moderne, Hamburg: Michael Imhof Verlag
Hanson, A.C. (1977), Manet and the Modern Tradition, Yale University Press
Harrison, Ch. (2009), An Introduction to Art, New Haven: Yale University Press
Herbert, R.L. (1988), Impressionism. Art. Leisure, and Parisian Society, New Haven/London: Yale University Press
Hofmann, W. (1985), Edouard Manet. Das Frühstück im Atelier – Augenblicke des Nachdenkens, Frankfurt a.M.: Fischer Verlag
Hopp, G. (1968), Edouard Manet. Farbe und Bildgestalt, Berlin: Walter de Gruyter
House, J. (1986), Manet’s Naiveté, in: Wilson Bareau
Kaak, J. (2016), Lehrjahre desAuges. Edouard Manret, gesehen mit Werner Hofmann, in: Gassner, H. & Hildebrand-Schat, V. (eds.), Manet – Sehen. Der Blick der Moderne, Hamburg: Michael Imhof Verlag
Kaak, J (2014), Zeitgenossenschaft. Zur Malerei Edouad Manets, München: Sieveking Verlag
Locke, N. (2001), Manet and the Family Romance, Princeton University Press
Lüthy, M. (2003), Bild und Blick in Manets Malerei, Berlin: Gbr. Mann Verlag
Lüthy, M. (2016), Die Wendung des Blicks, in: Gassner, H. & Hildebrand-Schat, V. (eds.), Manet – Sehen. Der Blick der Moderne, Hamburg: Michael Imhof Verlag
Rewald, J. (1961), The History of Impressionism, New York: The Museum of Modern Art
Richardson, J. (1982), Manet, London: Phaidon Press
Rubin, J. (2010), Manet, Paris: Flammarion
Sandblad, N. G. (1954), Manet. Three Studies in Artistic Conception, Lund: Hakan Ohlson
Tinterow, G. & Lacambre, G. (eds.) (2003), Manet / Velazquez. The French Taste for Spanish Painting, New York: The Metropolitan Museum of Art
Tucker, P.H. (ed.)(1998), Manet’s Le Déjeuner sur l’herbe, Cambridge University Press
Vignot, E. (2020), Edouard Manet, Paris: Edition Place de Victoires
Wilson Bareau, J. (1986), The Hidden Face of Manet. An investigation of the artist’s working process, London: Burlington Magazine
Wittmann, B. (2004), Gesichter geben. Edouard Manet und die Poetik des Portraits, München: Wilhelm Fink Verlag
Wittmann, B. (2016), Malerei auf den ersten Blick, in: Gassner, H. & Hildebrand-Schat, V. (eds.), Manet – Sehen. Der Blick der Moderne, Hamburg: Michael Imhof Verlag
Wollheim, R. (1987), Painting as an Art, Princeton University Press
Other references:
Baudelaire, Ch. (2010), The Painter of Modern Life (1863), London: Penguin Books
Boime, A. (1971), The Academy and French Painting in the Nineteenth Century, Bristol: Phaidon
Carrier, D. (1996), High Art. Charles Baudelaire and the Origins of Modernist Painting, The Pennsylvania State University Press
Cousin, V. (2017), The Philosophy of the Beautiful (London 1848), Miami, Fl: HardPress
Daston, L & Galison, P. (2010), Objectivity, New York: Zone Books
Goldstein, J. (2000), Mutations of the Self in Old Regime and Postrevolutionary France, in: Daston L. (ed.), Biographies of Scientific Objects, Chicago University Press
Graña, C. (2019), Fact & Symbol. Essays in the Sociology of Art and Literature (1971), New York: Routledge
Harrison, C., Wood, P. & Gaiger, J (eds) (2013), Art in Theory 1815 – 1900. An Anthology of Changing Ideas, Malden, MA: Blackwell Publishing
Harrison, C. & Wood, P.(eds) (2013), Art in Theory 1900 – 2000. An Anthology of Changing Ideas, Malden, MA: Blackwell Publishing
Oackley, T. (2009), From Attention to Meaning: Explorations in semiotics, linguistics, and rhetoric, Bern: Peter Lang AG
Pop, A. (2019), A Forest of Symbols. Art, Science, and Truth in the Long Nineteenth Century, New York: Zone Books
Posner, D.N., Orenstein, C., Bell, J. (eds) (2014), The Routledge Companion to Puppetry and Material Performance, London: Routledge
Rebentisch, J. (2012), Aesthetics of Installation Art, Berlin: Sternberg Press
Tomasello, M. (2019), Becoming Human, Harvard University Press
Seigel, J. (2005), The Idea of the Self. Thought and Experience in Western Europe since the Seventeenth Century, Cambridge University Press
Simmel, G. (1971), The Metropolis and Mental Life (1903), in: On Individuality and Social Forms. Selected Writings (edited by Donald N. Levine), University of Chicago Press
Simmel, G. (1971), The Stranger (1908), in: On Individuality and Social Forms. Selected Writings (edited by Donald N. Levine), University of Chicago Press
Simmel, G. (2005), Rembrandt: An Essay in the Philosophy of Art (1916), New York:Routledge
Steiner, W. (2010), The Real Real Thing. The Model in the Mirror of Art, University of Chicago Press
Tomasello, M. (2019), Becoming Human, Harvard University Press
Wagner, P (2000), “An Entirely New Object of Consciousness, of Volition, and of Thought”. The Coming into Being and (almost) Passing Away of ‘Society’ as a Scientific Object, in: Daston L. (ed.), Biographies of Scientific Objects, Chicago University Press
Pictures and sources:
Edouard Manet:
Edouard Manet, Luncheon on the Grass (1863): Masters of Art – Edouard Manet, Hastings: Delphi Classics, 2016
Edouard Manet, Lola de Valence, (1862): Masters of Art – Edouard Manet, Hastings: Delphi Classics, 2016
Edouard Manet, The Little Cavaliers (after Velasquez) (1859): Masters of Art – Edouard Manet, Hastings: Delphi Classics, 2016
Edouard Manet, The Old Musician (1861): Masters of Art – Edouard Manet, Hastings: Delphi Classics, 2016
Edouard Manet, Self Portrait with Palette (1879), Masters of Art – Edouard Manet, Hastings: Delphi Classics, 2016
Edouard Manet, Self Portrait with Scull-Cap (1879), Masters of Art – Edouard Manet, Hastings: Delphi Classics, 2016
Edouard Manet, Guérin’s Deuxième Essai de frontispiece (Polichinelle), etching (1861): S.P. Avery Collection, New York Public Library, Public Domain
Edouard Manet, The Fishing (La Peche) (1863): Masters of Art – Edouard Manet, Hastings: Delphi Classics, 2016
Edouard Manet, Music in the Tuileries (1861): Masters of Art – Edouard Manet, Hastings: Delphi Classics, 2016
Edouard Manet, Monk at Prayer, (1865): Masters of Art – Edouard Manet, Hastings: Delphi Classics, 2016
Edouard Manet, On the Beach, (1873): Masters of Art – Edouard Manet, Hastings: Delphi Classics, 2016
Edouard Manet, The Railway, (1873): Masters of Art – Edouard Manet, Hastings: Delphi Classics, 2016
Edouard Manet, Breakfast in the Atelier (The Luncheo), (1868): Masters of Art – Edouard Manet, Hastings: Delphi Classics, 2016
Other artists:
Gustave Caillebotte, Le Pont d’Europe (1876): Wikipedia Public Domain
Gustave Caillebotte, At the Cafe, Rouen: Wikipedia Public Domain
Gustave Courbet, The Artist’s Studio. A Real Allegory (1855): Wikipedia Public Domain
Honoré Daumier, Battle of Schools – Realism versus Classic Idealism (1855)
Giorgione, Pastoral Concert (1509) (now attributed to Titian): Wikipedia Public Domain
Alphonse Legros, Frontispiece etching to Fernand Desnoyers, The Théâtre de Polichinelle (1861): Paris, cliché Bibliothèque Nationale de France, Public Domain
Alphonse Legros, Le Théâtre de Polichinelle des Tuileries, lithograph (1861): Paris, cliché Bibliothèque Nationale de France, Public Domain
Claude Monet, Le Pont d’Europe (1877): Wikipedia Public Domain
Marcantonio Raimondi, Judgement of Paris (after Raphael) (1525): Wikipedia Public Domain
Diego Velazquez, Three Musicians (1618): Wikipedia Public Domain
Diego Velazquez, The Drinkers (The Triumph of Bacchus) (1629): Wikipedia Public Domain
Diego Velazquez, Las Meninas (1656): Wikipedia Public Domain
Johannes Vermeer, The Art of Painting (1668): Wikipedia Public Domain