{"id":58,"date":"2022-04-26T13:08:03","date_gmt":"2022-04-26T10:08:03","guid":{"rendered":"https:\/\/mymanet.net\/?page_id=58"},"modified":"2023-05-26T22:15:54","modified_gmt":"2023-05-26T19:15:54","slug":"sources","status":"publish","type":"page","link":"https:\/\/mymanet.net\/home\/sources\/","title":{"rendered":"Sources"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">Here you find my sources  on Edouard Manet, art history and art theory, and other sources used in the posts.<br>Sources on Diagramming and my own approach to diagramming you find on my page <a href=\"https:\/\/mymanet.net\/home\/on-diagrams\/\">On Diagrams <\/a> .<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>On Edouard Manet:<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Allan, S., Beeny, E.A., Groom, G. (eds.) (2019),&nbsp;<em>Manet and Modern Beauty. The Artist\u2019s Last Years<\/em>, Los Amgeles: Paul Getty Museum<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Bataille, G. (1955), Manet, New York: Skira<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Brombert, B.A. (1996),&nbsp;<em>Edouard Manet. Rebel in a Frock Coat<\/em>, University of Chicago Press<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Clark, T.J. (1999),&nbsp;<em>The Painting of Modern Life. Paris in the Art of Manet and His Followers<\/em>&nbsp;(revised edition), Princeton University Press<\/p>\n\n\n\n<p class=\"has-text-align-left wp-block-paragraph\">Collins, B.R. (ed.) (1996),&nbsp;<em>12 Views of Manet\u2019s Bar<\/em>, Princeton University Press<br>&nbsp; &nbsp;including:<\/p>\n\n\n\n<p class=\"has-text-align-justify wp-block-paragraph\"><sub>Richard Shiff,&nbsp;<em>Introduction: Ascribing to Manet, Declaring the Author<\/em><br>Carol Armstrong,&nbsp;<em>Counter, Mirror, Maid: Some Infra-thin Notes on A Bar at the Folies-Berg\u00e8re<\/em><br>Albert Boime,&nbsp;<em>Manet\u2019s A Bar at the Folies-Berg\u00e8re as an Allegory of Nostalgia<\/em><br>David Carrier,&nbsp;<em>Art History in the Mirror Stage: Interpreting A Bar at the Folies-Berg\u00e8re<\/em><br>Kermit S. Champa,&nbsp;<em>Le Chef d\u2019Ourvre (bien connu)<\/em><br>Bradford R. Collins,&nbsp;<em>The Dialectics of Desire, the Narcissism of Authorship: A Male Interpretation of the Psychological Origins of Manet\u2019s Bar<\/em><br>Michael Paul Driskel,&nbsp;<em>On Manet\u2019s Binarism: Virgin and\/or Whore at the Folies-Berg\u00e8re<\/em><br>Jack Flam,&nbsp;<em>Looking into the Abyss: The Poetics of Manet\u2019s A Bar at the Folies-Berg\u00e8re<\/em><br>Tag Gronberg,&nbsp;<em>Dumshows: A Carefully Staged Indifference<\/em><br>James D. Herbert,&nbsp;<em>Privilege and the Illusion of the Real<\/em><br>Jon House,&nbsp;<em>In Front of Manet\u2019s Bar: Subverting the \u201cNatural\u201d<\/em><br>Steven Z. Levine,&nbsp;<em>Manet\u2019s Man Meets the Gleam of Her Gaze: A Psychoanalytic Novel<\/em><br>Gisela Pollock,&nbsp;<em>The \u201cView from Elsewhere\u201d: Extracts from a Semi-public Correspondence about the Visibility of Desire<\/em><\/sub><\/p>\n\n\n\n<p class=\"has-text-align-left wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Courthion, P. (2004),&nbsp;<em>Edouard Manet<\/em>, New York: Abrams<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Dolan, T. (ed.)( 2016),&nbsp;<em>Perspectives on Manet<\/em>, London: Routledge<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Dombrowski, (2016), Leben auf Manets Balkon, in: Gassner, H. &amp; Hildebrand-Schat, V. (eds.),&nbsp;<em>Manet \u2013 Sehen. Der Blick der Moderne<\/em>, Hamburg: Michael Imhof Verlag<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">von Duve, T. (2000),&nbsp;<em>Zum Aufbau von Manets Eine Bar in den Folies-Berg\u00e8re<\/em>, in: Belting,H. and Kamper, D. (eds.), Der Zweite Blick: Bildgeschichte and Bildreflexion, Muenchen: Wilhelm Fink Verlag<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Fried, M. (1998),&nbsp;<em>Manet\u2019s Modernism or The Face of Painting in the 1860s<\/em>, University of Chicago Press<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Gassner, H. &amp; Hildebrand-Schat, V. (eds.) (2016),&nbsp;<em>Manet \u2013 Sehen. Der Blick der Moderne<\/em>, Hamburg: Michael Imhof Verlag<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Hanson, A.C. (1977),&nbsp;<em>Manet and the Modern Tradition<\/em>, Yale University Press<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Harrison, Ch. (2009),&nbsp;<em>An Introduction to Art<\/em>, New Haven: Yale University Press<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Herbert, R.L. (1988),&nbsp;<em>Impressionism. Art. Leisure, and Parisian Society<\/em>, New Haven\/London: Yale University Press&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Hofmann, W. (1985), Edouard Manet. Das Fr\u00fchst\u00fcck im Atelier \u2013 Augenblicke des Nachdenkens, Frankfurt a.M.: Fischer Verlag<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Hopp, G. (1968),&nbsp;<em>Edouard Manet. Farbe und Bildgestalt<\/em>, Berlin: Walter de Gruyter<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">House, J. (1986), Manet\u2019s Naivet\u00e9, in: Wilson Bareau&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Kaak, J. (2016), Lehrjahre desAuges. Edouard Manret, gesehen mit Werner Hofmann, in: Gassner, H. &amp; Hildebrand-Schat, V. (eds.),&nbsp;<em>Manet \u2013 Sehen. Der Blick der Moderne<\/em>, Hamburg: Michael Imhof Verlag<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Kaak, J (2014), Zeitgenossenschaft. Zur Malerei Edouad Manets, M\u00fcnchen: Sieveking Verlag<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Locke, N. (2001),&nbsp;<em>Manet and the Family Romance<\/em>, Princeton University Press<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">L\u00fcthy, M. (2003),&nbsp;<em>Bild und Blick in Manets Malerei<\/em>, Berlin: Gbr. Mann Verlag<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">L\u00fcthy, M. (2016), Die Wendung des Blicks, in: Gassner, H. &amp; Hildebrand-Schat, V. (eds.),&nbsp;<em>Manet \u2013 Sehen. Der Blick der Moderne<\/em>, Hamburg: Michael Imhof Verlag<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Rewald, J. (1961),&nbsp;<em>The History of Impressionism<\/em>, New York: The Museum of Modern Art<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Richardson, J. (1982),&nbsp;<em>Manet<\/em>, London: Phaidon Press<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Rubin, J. (2010),&nbsp;<em>Manet<\/em>, Paris: Flammarion<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Sandblad, N. G. (1954), Manet. Three Studies in Artistic Conception, Lund: Hakan Ohlson<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Tinterow, G. &amp; Lacambre, G. (eds.) (2003), Manet \/ Velazquez. The French Taste for Spanish Painting, New York: The Metropolitan Museum of Art<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Tucker, P.H. (ed.)(1998),&nbsp;<em>Manet\u2019s Le D\u00e9jeuner sur l\u2019herbe<\/em>, Cambridge University Press<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Vignot, E. (2020),&nbsp;<em>Edouard Manet<\/em>,&nbsp; Paris: Edition Place de Victoires<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Wilson Bareau, J. (1986),&nbsp;<em>The Hidden Face of Manet. An investigation of the artist\u2019s working process<\/em>, London: Burlington Magazine<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Wittmann, B. (2004),&nbsp;<em>Gesichter geben. Edouard Manet und die Poetik des Portraits<\/em>, M\u00fcnchen: Wilhelm Fink Verlag<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Wittmann, B. (2016), Malerei auf den ersten Blick, in: Gassner, H. &amp; Hildebrand-Schat, V. (eds.),&nbsp;<em>Manet \u2013 Sehen. Der Blick der Moderne<\/em>, Hamburg: Michael Imhof Verlag<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Wollheim, R. (1987), Painting as an Art, Princeton University Press<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Other references:<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Baudelaire, Ch. (2010),&nbsp;<em>The Painter of Modern Life (1863)<\/em>, London: Penguin Books<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Boime, A. (1971), <em>The Academy and French Painting in the Nineteenth Century<\/em>, Bristol: Phaidon<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Carrier, D. (1996),&nbsp;<em>High Art. Charles Baudelaire and the Origins of Modernist Painting<\/em>, The Pennsylvania State University Press<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Cousin, V. (2017), <em>The Philosophy of the Beautiful (London 1848)<\/em>, Miami, Fl: HardPress<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Daston, L &amp;&nbsp;Galison, P. (2010),&nbsp;<em>Objectivity<\/em>, New York: Zone Books<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Goldstein, J. (2000), Mutations of the Self in Old Regime and Postrevolutionary France, in: Daston L. (ed.),&nbsp;<em>Biographies of Scientific Objects<\/em>, Chicago University Press<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Gra\u00f1a, C. (2019),&nbsp;<em>Fact &amp; Symbol. Essays in the Sociology of Art and Literature (1971)<\/em>, New York: Routledge<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Harrison, C., Wood, P. &amp; Gaiger, J (eds) (2013), Art in Theory 1815 \u2013 1900. An Anthology of Changing Ideas, Malden, MA: Blackwell Publishing<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Harrison, C. &amp; Wood, P.(eds) (2013), Art in Theory 1900 \u2013 2000. An Anthology of Changing Ideas, Malden, MA: Blackwell Publishing<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Oackley, T. (2009),&nbsp;<em>From Attention to Meaning: Explorations in semiotics, linguistics, and rhetoric<\/em>, Bern: Peter Lang AG<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Pop, A. (2019), A Forest of Symbols. Art, Science, and Truth in the Long Nineteenth Century, New York: Zone Books<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Posner, D.N., Orenstein, C., Bell, J. (eds) (2014), T<em>he Routledge Companion to Puppetry and Material Performance<\/em>, London: Routledge<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Rebentisch, J. (2012),&nbsp;<em>Aesthetics of Installation Art<\/em>, Berlin: Sternberg Press<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Tomasello, M. (2019), Becoming Human, Harvard University Press<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Seigel, J. (2005), <em>The Idea of the Self. Thought and Experience in Western Europe since the Seventeenth Century<\/em>, Cambridge University Press<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Simmel, G. (1971),&nbsp;<em>The Metropolis and Mental Life<\/em>&nbsp;(1903), in:&nbsp;<em>On Individuality and Social Forms. Selected Writings<\/em>&nbsp;(edited by Donald N. Levine), University of Chicago Press<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Simmel, G. (1971),&nbsp;<em>The Stranger&nbsp;<\/em>(1908), in:&nbsp;<em>On Individuality and Social Forms. Selected Writings<\/em>&nbsp;(edited by Donald N. Levine), University of Chicago Press<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Simmel, G. (2005),&nbsp;<em>Rembrandt: An Essay in the Philosophy of Art (1916)<\/em>, New York:Routledge<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Steiner, W. (2010), The Real Real Thing. The Model in the Mirror of Art, University of Chicago Press<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Tomasello, M. (2019), <em>Becoming Human<\/em>, Harvard University Press<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Wagner, P (2000), \u201cAn Entirely New Object of Consciousness, of Volition, and of Thought\u201d. The Coming into Being and (almost) Passing Away of \u2018Society\u2019 as a Scientific Object, in: Daston L. (ed.),&nbsp;<em>Biographies of Scientific Objects<\/em>, Chicago University Press<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Pictures and sources:<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Edouard Manet:<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Edouard Manet,&nbsp;<em>Luncheon on the Grass<\/em>&nbsp;(1863): Masters of Art \u2013 Edouard Manet, Hastings: Delphi Classics, 2016<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Edouard Manet,&nbsp;<em>Lola de Valence<\/em>, (1862): Masters of Art \u2013 Edouard Manet, Hastings: Delphi Classics, 2016<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Edouard Manet,&nbsp;<em>The Little Cavaliers<\/em>&nbsp;(after Velasquez) (1859): Masters of Art \u2013 Edouard Manet, Hastings: Delphi Classics, 2016<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Edouard Manet,&nbsp;<em>The Old Musician<\/em>&nbsp;(1861): Masters of Art \u2013 Edouard Manet, Hastings: Delphi Classics, 2016<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Edouard Manet,&nbsp;<em>Self Portrait with Palette<\/em>&nbsp;(1879), Masters of Art \u2013 Edouard Manet, Hastings: Delphi Classics, 2016<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Edouard Manet,&nbsp;<em>Self Portrait with Scull-Cap<\/em>&nbsp;(1879), Masters of Art \u2013 Edouard Manet, Hastings: Delphi Classics, 2016<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Edouard Manet,&nbsp;<em>Gu\u00e9rin\u2019s Deuxi\u00e8me Essai de frontispiece (Polichinelle)<\/em>, etching (1861): S.P. Avery Collection, New York Public Library, Public Domain<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Edouard Manet,&nbsp;<em>The Fishing<\/em>&nbsp;(La Peche) (1863): Masters of Art \u2013 Edouard Manet, Hastings: Delphi Classics, 2016<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Edouard Manet,&nbsp;<em>Music in the Tuileries<\/em>&nbsp;(1861): Masters of Art \u2013 Edouard Manet, Hastings: Delphi Classics, 2016<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Edouard Manet,&nbsp;<em>Monk at Prayer,<\/em>&nbsp;(1865): Masters of Art \u2013 Edouard Manet, Hastings: Delphi Classics, 2016<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Edouard Manet,&nbsp;<em>On the Beach,&nbsp;<\/em>(1873): Masters of Art \u2013 Edouard Manet, Hastings: Delphi Classics, 2016<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Edouard Manet, The Railway, (1873): Masters of Art \u2013 Edouard Manet, Hastings: Delphi Classics, 2016<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Edouard Manet, Breakfast in the Atelier (The Luncheo), (1868): Masters of Art \u2013 Edouard Manet, Hastings: Delphi Classics, 2016<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Other artists:<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Gustave Caillebotte,&nbsp;<em>Le Pont d\u2019Europe<\/em>&nbsp; (1876): Wikipedia Public Domain<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Gustave Caillebotte,&nbsp;<em>At the Cafe, Rouen:&nbsp;<\/em>Wikipedia Public Domain<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Gustave Courbet,&nbsp;<em>The Artist\u2019s Studio. A Real Allegory<\/em>&nbsp;(1855): Wikipedia Public Domain<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Honor\u00e9 Daumier,&nbsp;<em>Battle of Schools \u2013 Realism versus Classic Idealism<\/em>&nbsp; &nbsp;(1855)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Giorgione,&nbsp;<em>Pastoral Concert&nbsp;<\/em>(1509) (now attributed to Titian): Wikipedia Public Domain<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Alphonse Legros,&nbsp;<em>Frontispiece etching to Fernand Desnoyers, The Th\u00e9\u00e2tre de Polichinelle<\/em>&nbsp;(1861): Paris, clich\u00e9 Biblioth\u00e8que Nationale de France, Public Domain<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Alphonse Legros,&nbsp;<em>Le Th\u00e9\u00e2tre de Polichinelle des Tuileries<\/em>, lithograph (1861): Paris, clich\u00e9 Biblioth\u00e8que Nationale de France, Public Domain<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Claude Monet,&nbsp;<em>Le Pont d\u2019Europe&nbsp;<\/em>(1877): Wikipedia Public Domain<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Marcantonio Raimondi,&nbsp;<em>Judgement of Paris<\/em>&nbsp;(after Raphael) (1525): Wikipedia Public Domain<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Diego Velazquez,&nbsp;<em>Three Musicians&nbsp;<\/em>(1618): Wikipedia Public Domain<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Diego Velazquez,&nbsp;<em>The Drinkers (The Triumph of Bacchus)&nbsp;<\/em>(1629): Wikipedia Public Domain<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Diego Velazquez,&nbsp;<em>Las Meninas<\/em>&nbsp;(1656): Wikipedia Public Domain<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Johannes Vermeer,&nbsp;<em>The Art of Painting<\/em>&nbsp;(1668): Wikipedia Public Domain<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Here you find my sources on Edouard Manet, art history and art theory, and other sources used in the posts.Sources on Diagramming and my own approach to diagramming you find on my page On Diagrams . On Edouard Manet: Allan, S., Beeny, E.A., Groom, G. (eds.) (2019),&nbsp;Manet and Modern Beauty. The Artist\u2019s Last Years, Los [&hellip;]<\/p>\n","protected":false},"author":137664508,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"nf_dc_page":"","_crdt_document":"","footnotes":""},"class_list":["post-58","page","type-page","status-publish","hentry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Sources - My Manet \u2013 Your Manet<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/mymanet.net\/home\/sources\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Sources - My Manet \u2013 Your Manet\" \/>\n<meta property=\"og:description\" content=\"Here you find my sources on Edouard Manet, art history and art theory, and other sources used in the posts.Sources on Diagramming and my own approach to diagramming you find on my page On Diagrams . On Edouard Manet: Allan, S., Beeny, E.A., Groom, G. (eds.) (2019),&nbsp;Manet and Modern Beauty. The Artist\u2019s Last Years, Los [&hellip;]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/mymanet.net\/home\/sources\/\" \/>\n<meta property=\"og:site_name\" content=\"My Manet \u2013 Your Manet\" \/>\n<meta property=\"article:modified_time\" content=\"2023-05-26T19:15:54+00:00\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data1\" content=\"7 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/mymanet.net\\\/home\\\/sources\\\/\",\"url\":\"https:\\\/\\\/mymanet.net\\\/home\\\/sources\\\/\",\"name\":\"Sources - My Manet \u2013 Your Manet\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/mymanet.net\\\/home\\\/#website\"},\"datePublished\":\"2022-04-26T10:08:03+00:00\",\"dateModified\":\"2023-05-26T19:15:54+00:00\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/mymanet.net\\\/home\\\/sources\\\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/mymanet.net\\\/home\\\/sources\\\/\"]}]},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/mymanet.net\\\/home\\\/sources\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\\\/\\\/mymanet.net\\\/home\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Sources\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/mymanet.net\\\/home\\\/#website\",\"url\":\"https:\\\/\\\/mymanet.net\\\/home\\\/\",\"name\":\"My Manet \u2013 Your Manet\",\"description\":\"Explorations of Edouard Manet&#039;s paintings with diagrams\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/mymanet.net\\\/home\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Sources - My Manet \u2013 Your Manet","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/mymanet.net\/home\/sources\/","og_locale":"en_US","og_type":"article","og_title":"Sources - My Manet \u2013 Your Manet","og_description":"Here you find my sources on Edouard Manet, art history and art theory, and other sources used in the posts.Sources on Diagramming and my own approach to diagramming you find on my page On Diagrams . On Edouard Manet: Allan, S., Beeny, E.A., Groom, G. (eds.) (2019),&nbsp;Manet and Modern Beauty. The Artist\u2019s Last Years, Los [&hellip;]","og_url":"https:\/\/mymanet.net\/home\/sources\/","og_site_name":"My Manet \u2013 Your Manet","article_modified_time":"2023-05-26T19:15:54+00:00","twitter_card":"summary_large_image","twitter_misc":{"Est. reading time":"7 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"WebPage","@id":"https:\/\/mymanet.net\/home\/sources\/","url":"https:\/\/mymanet.net\/home\/sources\/","name":"Sources - My Manet \u2013 Your Manet","isPartOf":{"@id":"https:\/\/mymanet.net\/home\/#website"},"datePublished":"2022-04-26T10:08:03+00:00","dateModified":"2023-05-26T19:15:54+00:00","breadcrumb":{"@id":"https:\/\/mymanet.net\/home\/sources\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/mymanet.net\/home\/sources\/"]}]},{"@type":"BreadcrumbList","@id":"https:\/\/mymanet.net\/home\/sources\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/mymanet.net\/home\/"},{"@type":"ListItem","position":2,"name":"Sources"}]},{"@type":"WebSite","@id":"https:\/\/mymanet.net\/home\/#website","url":"https:\/\/mymanet.net\/home\/","name":"My Manet \u2013 Your Manet","description":"Explorations of Edouard Manet&#039;s paintings with diagrams","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/mymanet.net\/home\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"}]}},"amp_enabled":true,"_links":{"self":[{"href":"https:\/\/mymanet.net\/home\/wp-json\/wp\/v2\/pages\/58","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/mymanet.net\/home\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/mymanet.net\/home\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/mymanet.net\/home\/wp-json\/wp\/v2\/users\/137664508"}],"replies":[{"embeddable":true,"href":"https:\/\/mymanet.net\/home\/wp-json\/wp\/v2\/comments?post=58"}],"version-history":[{"count":5,"href":"https:\/\/mymanet.net\/home\/wp-json\/wp\/v2\/pages\/58\/revisions"}],"predecessor-version":[{"id":2850,"href":"https:\/\/mymanet.net\/home\/wp-json\/wp\/v2\/pages\/58\/revisions\/2850"}],"wp:attachment":[{"href":"https:\/\/mymanet.net\/home\/wp-json\/wp\/v2\/media?parent=58"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}